One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
日间她是医院护士,见尽生死,晚间兼职酒吧,对生活意兴阑珊。他在地盘打散工,左眼失明,只看见世界的一半。在分崩离析的现代都市,两个半边人,是否就能凑成一个整体?渴望爱同时不相信爱,死亡阴影总是挥之不去,就算天空再深蓝,抬头只见密云,什么都有预感,怕回头已是百年身。原田美枝子女儿石桥静河首度担正,伙拍池松壮亮,并有松田龙平助阵。改编畅销女诗人诗集,石井裕也(《字里人间》,37届)以「最高密度」的蓝色爱情,换个角度看他最爱的古怪男女。
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